Open Music

kusBlog, News

What I mean, when I say Open Music

Open Music describes a music work that others can copy, redistribute, modify and monetize freely, without asking for permission. The term evokes the related concept of open source software for music. Such music is said to be under an open licence.

Open Music adapts the 5R from Open Content plus an additional R. You have the RRRRRRight to

Retain โ€“ the right to make, own, and control copies of the music (e.g., download, duplicate, store, and manage)
Reuse โ€“ the right to use the music in a wide range of ways (e.g., in a class, in a study group, on a website, in a video)
Revise โ€“ the right to adapt, adjust, modify, or alter the music itself (e.g., translate the music into another language)
Remix โ€“ the right to combine the original or revised music with other open content to create something new (e.g., incorporate the content into a mashup)
Redistribute โ€“ the right to share copies of the original music, your revisions, or your remixes with others (e.g., give a copy of the content to a friend)
Revenue – the right to monetize or sell the music (e.g. sell or add advertisements for profit)

 

Open Licences that qualify for Open Music

Public domain

Creative Commons Attribution, Attribution-Share Alike and Zero

Free Art License

Against DRM license

EFF Open Audio License

Green Open Music License

Free Music Public License

GNU GPL (GNU Art)

Ethymonics Free Music License

IANG

WTFPL

Name Your Price

kusBlog, by, by-sa, Creative Commons, Free MP3 Download

Does Open Music have a value? It’s free, so sure it comes with several freedoms like Share, Remix, Monetize. Are listeners willing to pay for it even when it’s free? I wanted to know that and implemented a buy feature for every track you download. I wanted this like in a real life shop. You get the product, then you pay or just take it. You choose. I like the “Name Your Price” approach from Bandcamp. You choose how much to pay, even when it’s zero. Name Zero, you get it for zero dollars. You choose.

How does that work? You click the download button, the download starts and the “Say Thanks” modal with terms about crediting and a PayPal checkout button appears. You can choose from Minimal 0$, Standard 1$ or Generous 2$ or you just can ignore it. I’m looking forward how this develops.

You may ask: Is it allowed to sell Open Music? Yes it is. The CC-BY and CC-BY-SA licenses not only allows sharing, and remixing, it also allows commercial usage including distribution. That’s what I do.

I now support artists for almost 17 years. This means at least one to two hours of work a day. As starfrosch grows, the costs also grow. I like to work, but I don’t like to work and pay for it, that’s why I’m trying to find fair possibilities for listeners to support me and my work for Open Music.

Vintage Computer Festival Zurich with Bruno Spรถrri and Tim & Kid Schurke

kusBlog, Electronic

The Vintage Computer Festival 2018 Zurich with computers from the last century is just around the corner. Parents tell their children what devices their grandparents did not buy. The 2-day exhibition will be accompanied by worskhops, talks and a live evening program. The exhibition is suitable for visitors of all ages.

Have a look at this YouTube video from the 2017 Festival.

Tim & Kid Schurke especially created a track for this festival with synth legend Bruno Spรถrri. You know Bruno Spรถrri, because Jay-Z has sampled him without asking and crediting, lost at court and now pays some of his revenue to Bruno.

The track was made by Tim for the Live Synthesizer Night. In an interview with Mario Purkathofer, Bruno Spoerri explains his career and first experiences with synthesizers. Tim remixes the interview and adds an acoustic track. Both, Tim and Bruno are playing live on Saturday, November 24th in the clubroom of the Rote Fabrik.

Bruno Spรถrri will play live Saturday, 24.11.18 on his SE/30-Mac (1990) and Macbook G3 (2000) with software m and music mouse.

Tim & Kid Schurke will perform live 22:30. You also know these guys because they delivered two soundtracks to the film Ghost in the Shell. They get 0.00002 CHF for every second played in the film. You can hear their songs for 16 seconds in the film.